Touki

Amadou Diagne and Cory Seznec

Amadou Diagne has centuries of West African music at his fingertips. Cory Seznec is a musical wanderer and uncertified ethnomusicologist. A chance encounter planted the seeds of a collaboration that’s been fermenting now for over a decade. Those seedlings are shooting up into the light with release of their sophomore album, Plastic Man, recorded at the legendary Real World Studios.

Touki means “journey” in Wolof, Diagne’s mother tongue. ‘Plastic Man’ focuses on climate change, environmental activism and spiritual matters—drawing together West African fables, personal stories and the challenges facing both developing and western countries. This music asks ecological, spiritual, and political questions.

Though Diagne draws heavily on Coastal African sounds and rhythms, he has forged his own identity as a songwriter and multi-instrumentalist. A self-taught kora player and guitarist (he developed a signature style to accompany his powerhouse voice), he has developed a unique and intricate style to accompany his powerful, rich, high-pitched voice, drawing on his skills as a percussionist. His music has been featured in Songlines, BBC 3 Late Junction and fRoots.

A French-American in Paris, Seznec’s fingerstyle guitar-playing is syncopated, polyrhythmic, cross-pollinated and idiosyncratic. He also plays banjo and wades in the deep river of American song. Busking misadventures with Malian musicians in the Paris metro led him to Songhai songsters in Timbuktu and ancient omutibo guitarists in Western Kenya. Feverish touring with world roots trio Groanbox gave him his sea legs. But a three-year stint in Ethiopia cracked everything open. These experiences shaped Seznec into an artist who traces a line across musical cultures and whose songs let the past reverberate in the present.

“A scintillating sequel to Ali Farka Touré & Ry Cooder’s Talking Timbuktu.”—ROLLING STONE

Links: touki.bandcamp.com

To hear those musical seedlings grow, go to https://youtu.be/_fwdWvwx41A